Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Monday, May 24, 2010

Mark Twain speaks!

Mark Twain's autobiography, which he instructed should remain unpublished until 100 years after his death, is coming out this fall! It should be worth the wait.

Why the long delay? Apparently, Twain spoke/wrote rather freely about certain people. Also, he knew some of his views would be unpopular:

"He had doubts about God, and in the autobiography, he questions the imperial mission of the US in Cuba, Puerto Rico and the Philippines. He's also critical of [Theodore] Roosevelt, and takes the view that patriotism was the last refuge of the scoundrel. Twain also disliked sending Christian missionaries to Africa. He said they had enough business to be getting on with at home: with lynching going on in the South, he thought they should try to convert the heathens down there."

If he thought that the US of a hundred years later would agree with him, he badly miscalculated. If he thought we would need to hear this just as much now as in his day, he was remarkably prescient.


(Via Record and Archives in the News)

Saturday, November 14, 2009

The Little Leather Library

A few months ago, I found a set of miniature books at Mom's house that looked rather old and which I don't recall ever seeing before. They were sitting in the garage, which has the typical lack of climate-control - so I brought them home for better care.

They turned out to be a set of books from the Little Leather Library, which published over a hundred classic titles from about 1916-1926. The brown book in the photo is one of the earlier editions, but the rest (with the green covers) would date from between 1920-1924. I had imagined that Mom's parents bought these for their kids sometime while they were growing up, but they actually predate her parents' marriage in 1925.

I don't know whether it was my grandmother or grandfather who bought them, but they would have been affordable to a young adult or a newlywed couple. They were mainly sold in sets, at prices that came to about 10¢ per copy. Early editions were sold through Woolworths department stores, but later they were marketed directly through the mail. I expect these were a set, because otherwise it's hard to imagine my conservative grandparents choosing two Oscar Wilde titles. LLL also published many books of the Bible, but grandma and grandpa would have already had Bibles.

The Little Leather Library was all about bringing classic literature to the masses, at as cheap a price as possible. Classic literature, of course, meant out-of-copyright, royalty-free literature; to further reduce costs, the original leather covers were quickly replaced by cheaper synthetic covers. However, the expensive look remained, as the publishers understood that middle America not only wanted good literature to read, but wanted nice things to display in their homes. One of the publishers even later coined the term "furniture books" to describe volumes which sold on appearance as much as literary content.* Their success can be gauged by the fact that the little books aren't rare: you can find them on E-Bay for about $3-4 dollars per book.

As a point of interest, LLL founder Albert Boni went on to found the Modern Library; the men who bought the company from him, Harry Scherman and Maxwell Sackheim, later started the Book-of-the-Month Club.


For more, see Janice A. Radway, A Feeling for Books: the Book-of-the-Month Club, Literary Taste, and Middle-Class Desire , or Little Leather Library


Titles:
Robert Browning, Poems and Plays
Robert Burns, Poems and Songs
Samuel T. Coleridge, The Rime of the Ancient Mariner and Other Poems
W.S. Gilbert, The "Bab" Ballads
Abraham Lincoln, Speeches and Addresses
Thomas Babington Macauley, Lays of Ancient Rome
Thomas Babington Macauley, Lays of Ancient Rome (misidentified on the cover as Longfellow's Courtship of Miles Standish)
Maurice Maeterlinck, Pelleas and Melisande
Olive Schreiner, Dreams
William Shakespeare, The Tempest
Alfred Lord Tennyson, Enoch Arden and other Poems
Henry David Thoreau, Friendship and other Essays
George Washington, Speeches and Letters
Oscar Wilde, Ballad of Reading Gaol and other Peoms
Oscar Wilde, Salomé

Multiple authors, Fifty Best Poems of America

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* No to accuse my grandparents of mere pretension, however. Grandma was the daughter of a newspaper publisher and raised a family that valued education.

Monday, March 30, 2009

Wicked

I've always enjoyed re-imaginings of well-known tales, familiar stories told from an utterly unfamiliar point of view. Marion Zimmer Bradley's The Mists of Avalon may have been my introduction to the genre, I can't quite remember, but I still recall my astonishment at how a completely original tale could be woven out of those old legends and I could be made to think, yes, this is how it might really have happened.*

So last weekend, when Heather mentioned Gregory Maguire's Wicked: The Life and Times of the Wicked Witch of the West, I decided I needed to read it. That was a good move.

In a way, the book was not quite what I expected. I anticipated a more complete reversal, a story where the Witch was really the good person through to the end. Maguire, on the other hand, has said that he intended to write a story where the Witch was really evil throughout. What emerged was something in between, and therefore far more interesting. His Witch, Elphaba (a play off "L. Frank Baum"), is a woman who was early alienated from most of her fellow humans, made it her cause to fight evil (which the Wizard of Oz proves himself to be), but found that evil seemed to be winning every round -- and that all too often it was her own efforts that ended up contributing to tragedy.

Although never really a sweet or generous person, Elphaba is smart, principled, and mostly admirable. By the end of the book (Dorothy and her annoying little dog don't even show up until the last section), as her bitterness has grown and festered, the Witch is not a person who desire to perform evil, but she's even less nice and plays the part of a wicked witch convincingly enough. To the extent that she remains sympathetic, it's as a tragic figure: you've long stopped admiring her behavior, but you never wanted to see her become so unlikable.

If Tolkien thought that the will to dominate was the source of evil, Maguire reminds us that watching evil triumph can be a most embittering experience, leading an otherwise good person to wicked behaviors of their own. A timely lesson, too, in this era of Culture Wars, where both sides see wickedness on the march and are tempted to despair.


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* Cynicism helps; from an early age I found it easy to believe that the standard tales might really be self-serving propaganda and that there could be another side to the story.

Friday, September 26, 2008

Boring writing

So, several weeks ago I stumbled across a site advertising 10 Awesome Fantasy Series That Are Not Potter or LoTR. Hmm, thunk I, fantasy fiction other than Potter or LoTR hasn't appeared on my reading list in many an age. Maybe I should give one or two of these a try.

Knowing that I will not be reading this entire list, I jumped straight to #1 and began reading Modesitt's The Magic of Recluce. And here is what I found:

Perfection, especially for a youngster learning about it from cheerfully sober adults, has its price. Mine was boredom.

A price Modesitt is happy to share ... and spread. Because that word keeps showing up, over and over again:
"But why does it have to be so flaming boring?

Besides, pots and vases bored me.

But I was still bored, even as I continued to learn.

"Just because I'm bored?" ... "No, because your boredom reflects a deeper lack of commitment."

[B]ut it was boring.

"... probably get more bored with each day.


Mind you, that's just the first 14 pages. A little while later, the writer does manage to come up with the word dull, but immediately defines it as "almost boring."

Since all fantasy novels have to be compared to The Lord of the Rings, let's see how Tolkien handles a similar concept:

So it went on, until his forties were running out, and his fiftieth birthday was drawing near: fifty was a number that he felt somehow significant (or ominous); it was at any rate at that age that adventure had suddenly befallen Bilbo. Frodo began to feel restless, and the old paths seemed too well-trodden. He looked at maps, and wondered what lay beyond their edges; maps made in the Shire showed mostly white spaces beyond its borders. He took to wandering further afield and more often by himself; and Merry and his other friends watched him anxiously. Often he was seen walking and talking with the strange wayfarers that began at this time to appear in the Shire.


I don't have time for such unimaginative writing. The Magic of Recluce may not be a book to be hurled with great force, but it will be tossed aside with a light flick of the wrist.


P.S. On the same trip to Border's, I also picked up Ender's Game, about which I kept hearing great praise. I join the chorus; it's a terrific book.